Writing Outside Your Comfort Zone—An Online Learning Experience – National Writing Project.
This summer, I decided to hop on board an online course and community of educators led by teachers and authors Cathy Fleischer and Sarah Andrew-Vaughan called the Unfamiliar Genres Project. Their book “Writing Outside Your Comfort Zone: Helping Students Navigate Unfamiliar Genres” is the basis for the course.
Part II of the course/community is active during the month of July. Each participant chooses an unfamiliar genre to research and to write in. I’ve chosen vignettes since most of the students I work with are training to become clinical psychologists and therapists and they write papers in which they are learning to assess clients by reading and responding to vignettes. But I’ve learned through my research that vignettes are also used in Psychology and Sociology research in surveys. And I’m knee-deep in reading journal articles that describe the research and reveal the vignettes. And I’m loving it!
Of course, rereading “The House on Mango Street” is a great deal of fun as is reading “Deer Table Legs” by Katayoon Zandvakili and “Slide” by Monica Zarazua.
Katayoon’s poems are vignette-like which may be directly connected to her other creative pursuit, which is painting. And Monica’s short fiction has vignette qualities. Until I did a reading with these two writers on Wednesday, I was unfamiliar with their work. So, I’ve had pleasant synchronicities occur with this project. And I have two new books!
I’ll be reading with a stellar lineup of writers this evening at Lyrics & Dirges hosted by the lovely and gracious Sharon Coleman.
I’m first up, so get there early or you’ll miss me.
Here we are, in reading order:
Joyce E. Young
We’d love to have you in the audience!
Here’s the link:
Hope to see you there…
Had a great time reading at Beast Crawl 2014 last night. The Beast Crawl Collective rocks!
Writers Tony Press, Robert Pesich, Rafael Jesus Gonzalez, and yours truly took the stage and held the audience rapt with our wordsmithing at Spice Monkey. We worked it, to say the least. I had an absolute blast.
Ah…what a night!
For the breakdown and locations of the entire festival, follow this link:
I’m in the process of creating a broadside of one of my poems that I plan to gift audience members with at two upcoming readings (I will post about them separately).
The broadsides of my own work are a first for me and I’ve had the great fortune to learn more about the history and origins of broadsides from a wonderful poet and friend.
In the past, Black Oak Books, a Berkeley independent bookstore, consistently and generously created broadsides and gifted them to audience members at readings.
I’m curious about the experiences that other writers have had with broadsides. Please share your stories about broadsides. It’s always good to hear what others have done and are doing.
Since a broadside represents one form of independent publishing, I think this will be my Independence Day Post.